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ACRYLIC PAINTS & MEDIUMS
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BOOKS
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BRUSHES & PALETTE KNIVES
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DA VINCI CASANEO WATERCOLOUR BRUSH
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DA VINCI KOLINSKY RED SABLE BRUSHES
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- DA VINCI MAESTRO KOLINSKY SABLE WATERCOLOUR BRUSH SERIES 35
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DA VINCI STUDENT BRUSHES
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CANVAS & PANELS
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INKS
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MARKERS & PENS
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MODELLING , SCULPTING, CLAY & RESIN
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OIL PAINTS & MEDIUMS
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PADS, BLOCKS & PACKS
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PAPER FINE ART
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PASTELS & PASTEL PENCILS
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PENCILS, CRAYONS, CHARCOAL & ACCESSORIES
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PRINTMAKING
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PRINTMAKING INKS
- AKUA INTAGLIO INK
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- CHARBONNEL WATER WASHABLE INK
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- ESSDEE FABRIC PRINTING INKS
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- FIVE STAR PRINTING INK
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PRINTMAKING ROLLERS, CUTTERS & TOOLS
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SKETCH BOOKS, NOTEBOOKS, VISUAL DIARIES
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- CRESCENT RENDR SKETCHBOOKS
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HAHNEMUHLE SKETCH BOOKS
- HAHNEMUHLE CAPPUCINO BOOK
- HAHNEMUHLE NOSTALGIE SKETCH BOOK
- HAHNEMUHLE SKETCH BOOK D&S
- HAHNEMUHLE SKETCH BOOK HARDCOVER
- HAHNEMUHLE SKETCH BOOKLETS
- HAHNEMUHLE SPIRAL BOUND SKETCH BOOKS
- HAHNEMUHLE THE GREY BOOK
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TAPES, GLUES & ADHESIVES
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- ADHESIVE PUTTIES & CEMENTS
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- CELLULOSE & INVISIBLE TAPES
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- GLUE STICKS & ROLLERS
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- MASKING TAPES & FILMS
- PACKAGING TAPE
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- PVA & WOOD GLUES
- SELF ADHESIVE SHEETS & ROLLS
- SPECIALITY & ALL PURPOSE GLUES
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- XYRON PROFESSIONAL
- TECHNICAL DRAWING PRODUCTS
- TRACING PAPER & DRAFTING FILM
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WATERCOLOUR PAINTS & MEDIUMS
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- DANIEL SMITH WATERCOLOUR
- PEBEO WATERCOLOUR MEDIUMS
- PEBEO WATERCOLOUR PAINT SETS
- QOR MODERN WATERCOLOURS
- SCHMINCKE AKADEMIE WATERCOLOUR
- SCHMINCKE AQUA DROP
- SCHMINCKE HORADAM WATERCOLOUR
- SCHMINCKE LIQUID CHARCOAL
- SCHMINCKE WATERCOLOUR MEDIUMS
- WATERBRUSH PENS
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- WINSOR & NEWTON COTMAN WATERCOLOURS
- WINSOR & NEWTON PROFESSIONAL WATERCOLOUR
- WINSOR & NEWTON WATERCOLOUR MARKERS
- WINSOR & NEWTON WATERCOLOUR MEDIUMS
SCHMINCKE MUSSINI OIL 35ML
Mussini Resin-oil colours are unique in the world, following “Old Masters” formulations combining artist’s oils with resins.
The recipes for each individual colour call for the replacement of excess fatty oils with carefully measured proportions of resin (usually dammar).
This has several advantages over standard oilcolour:
- The increase in volume that occurs as the oil absorbs oxygen (up to 15%) is largely balanced by the decrease in volume of the resin content as it evaporates. The evaporation leaves microscopic holes in the paint that in turn allows oxygen to more effectively penetrate the paint layer. The result is tension-free balanced drying, with less danger of wrinkling and cracking.
- The replacement of a proportion of artist’s oil with resin lessens the natural yellowing of the linseed in the paint film.
- The resin refracts light more intensely than oil, producing a more lustrous and brilliant colour layer. This is especially noticeable in transparent colours.
Nearly 100 different pigments are used in the Mussini range, and over 60% of the Mussini colour range is made of single-pigment colours, allowing clean and pure colour mixing.