Push your materials further and discover what happens when GOLDEN Acrylic, Mediums, & Watercolours collide. This series of explorations brings together the GOLDEN range in unexpected ways.

GAC 100 and Watercolour
Create subtle relief drawings with GAC 100 and finish them with a luminous watercolour  wash. Use a fine-line applicator to draw your pattern with GAC 100. Once dry, apply a watercolour wash over the surface, then gently wipe away the excess—revealing the design as the raised areas resist the colour.

 

Gels and Fluorescent and Phosphorescent colours
Mix Fluorescent and Phosphorescent  colours into GOLDEN Textured Gels to create surfaces that feel alive—think bioluminescence. Under black light, the colours ignite. Add Phosphorescent Green and the glow keeps going, staying charged and visible even after the light is gone.

 

Tinted Light Molding Paste with QoR interference wash
Build wild, sculptural texture by tinting Light Molding Paste with Fluid Carbon Black. Once it’s dry, flood the surface with a wash of QoR Interference Colours for added depth and a colour-shifting shimmer that moves with the light.

 

Watercolour wash over Micaceous Iron Oxide
Prep your surface with Micaceous Iron Oxide for a dark, shimmery, textured base. Once it’s dry, paint over it with watercolours for a fun, unexpected alternative to traditional watercolour paper.

 

Watercolour wash over SoFlat Colours
Start with SoFlat for a matte, semi-toothy surface, then layer watercolour over the top for a look that’s anything but ordinary. Go classic with White SoFlat, or push it further with colour if you feel adventurous.